Download from the link below the number of Zero Vaticanal or go to hell
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In this interview with black numbers grinders Anaal Anhestesy, articles on music, movies, novels, comics and more ...
Thursday, January 28, 2010
Coustomizable Boobies Bracelets
Download from the link below the number of Zero Vaticanal or go to hell
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In this interview with black numbers grinders Anaal Anhestesy, articles on music, movies, novels, comics and more ...
Sunday, January 24, 2010
Spyderco Replacement Wire Clip
Valentino: fortune and popularity
Torino, 5 September 1926. At the cinema, which was the only Italian film magazine that has not got carried away with rash comments about what was called the "case Valentino" when all rose for the sake of blind scrapping against the talented actor, but who could say a word objective and balanced, now that Rudolph Valentino died, believes that he could not celebrate in a better way if not fully reproduced the masterly article by Luigi Giovanola published in the newspaper La Stampa, a few are illustrated in a remarkable synthesis of the reason the extraordinary popularity of this artist who has exalted the name over the ocean and the art of Italy.
New York has the great virtue of not love too easily. The many chaotic events of the day slip away in the underground diamond button on its one million cars in the fever of work that consumes and recreates, in the delirium of his night studded with incandescent lights like a never-ending sky.
Yes it is true, as he told quell'inglese almost terrified to return to his island phlegmatic: the streets of New York are deadly, and not just because of the danger of being Arrotati by a car, but also for the revolver shots that do not rarely are sent from good cops chasing robbers and attackers daring enough to rob banks and stores and assaulting people even in broad daylight and in crowded places. But if you notice that? At most, someone who happened to be on the trajectory of the bullets vagabonds. Moreover, the shots do not feel at ten paces, and robbers and wounded and the dead body if they are immediately swept up and taken away by the relentless stream. If the deceased is state, we pass over race and you forget a little 'further.
All events, however serious they are, more or less suffer the same fate. You're in a hurry, you have rage, and those who stay at least in danger of being trampled by the onrushing new. Unless you stop at a cinema. The hell of New York street, cinemas are sort of magical oasis. The comparison could not be more appropriate, nor am I the first to use the expression of "densely populated desert" about this metropolis of anonymity, where the crowd that presses on all sides so it feels desperately alone. Desert, then, and oases. Already, the heat is tropical humid, oppressive, unbearable. In the streets, including the reflection of the concrete and tar in the heat of the sun, the atmosphere is hot. Do not breathe: you gasping. Dazed, his eyes off the clothes that you stick on you, you walk like robots towards a goal that perhaps we do not even remember anymore. Behold, and almost feel inclined to sit on one of those blocks of ice that companies providing leave on the threshold of a half-notch restaurants in the side streets.
Fortunately, there are cinemas. They open their doors welcoming fiery on the sidewalks of Broadway, promising, as well as the visions of the mobile screen, shade and coolness that you search in vain elsewhere. Artificial cool as the posters proclaim. "Twenty, thirty degrees (Fahrenheit) less than in the street '- they say letters ending in odd-shaped ice stalagmitizzati on a background of polar landscapes. "Constant temperature, never exceeding 70 degrees," (equivalent to 21 Celsius). Because each of the major cinemas of Broadway, unlike opera, where the hot season continues to couple the heat in the busy humanity, it is huge nowadays equipped with modern refrigeration systems, which spread to everywhere delicious breath of fresh air.
if there had been comforting the oil! Valentino would have been virtually manager who knows how many cases of suffocation, especially on Sunday's 'first', when it was present in person in the theater and the "flappers" of which he is the idol, they actually a fight to see it in the flesh and hear his voice, that privilege is usually denied, as is well understood, the admirers of the heroes of the scene changes. But at the Strand Valentino has taken on that occasion, even his good speech.
Luck, the immense popularity of this actor, very Italian in appearance, gestures, of passionate fervor, of expression, has something fantastic. New York, is not moved too easily, but her girls are always ready to stop traffic in Times Square, to see him pass in his Isotta-Fraschini, jump and take the restaurant for breakfast when it happens here. I would bet on that, where a fanciful hypothesis recourse were made to a 'referendum' among American women to resolve the vexed issue of debt in the name of Valentino would certainly voted overwhelmingly to debt cancellation Italian!
Valentino's popularity is such that the "slang" the U.S. should even be a neologism, has become widely used. After
that of the "Four Horsemen of the Apocalypse," he gained his greatest success in the 'Sheik', the new film is now trying to renovate and extend. The girls are all American, from the Atlantic to the Pacific in love with the young, bold and passionate sheikh, now all of a sudden, despite the exotic costumes and the Italian name of the protagonist, a kind of national hero. Since then the word 'Sheik' has entered the common language to show the love, man fatal, the looting of female hearts, the irresistible suitor. So we have had in The Sheik "fox-trot" and in song - I am the Sheik of Araby ... Your Love Belongs To Me , The Sheik, a novel, The Sheik perfume, soap ... The Sheik All of a fashion, in short, that life is what the fashions are wont to take, but which is still the word used not only by the newspapers, but even by writers who do not mind the sayings of the boldest and most picturesque spoken American.
We understand that men are a bit 'jealous of their good fortune. I mean how lucky Valentino has with the fair sex. The typical American, nice guy he, too, after all, as in turn is glorified on the screen for its physical qualities of courage, generosity of spirit, of fearlessness, a sportsman par excellence of that form all Anglo-Saxon love, the flirt, can not but feel a bit 'fell in front of this elegant and rakish Italian, Express yourself when you come to the passion of love, his romantic yearning, the vehemence of his impulses and the languor of her dreams. Which is basically the secret of luck in Italian, and generally in Latin, with the women of the Nordic peoples and seminordici.
Jack Dempsey and Rudolph Valentino, 1925
Valentino has also recently suffered the bite of quest'invidia, which is partly the result of xenophobia in this undeniable restrinzionistiche emigration laws are an official event. A journalist from Chicago, in an anonymous editorial article, called it "pink powder puff" - literally down to powder - that is accusing him, in essence, effeminacy, and deploring the popularity of his films, because they exhibit a pattern of young men, so American sound, a kind of beauty and a way of interpretation of life which does not correspond to national ideals.
Valentino has now challenged the unknown journalist - since he was young and healthy - to a boxing match, since the duel is prohibited here, and in the meantime (well that his manager had to take advantage of a little 'case for the publicity) has had published all a series of photographs of their bare-chested, highlighting the muscles on the same paro effeminacy which Jack Dempsey has expressed some doubts.
Had this show, if only, the fact is that the columnist of the Chicago Tribune he believed should not go out of his comfortable anonymity and prudent, so that Rudy had the match won without even launch one of his formidable fists.
- sorry to God and to his enemies - I was out with a smile Valentino few days ago, since I went to visit him in the spacious apartment he occupies when the Ambassador Hotel in New York. And with the quote Dante was referring to the fact that while it is attached here as it is Italian and has remained essentially that of education, tastes, feelings, ideas, despite having taken American citizenship, has had to endure in Italy moorings, which were much more painful for him, just for taking U.S. citizenship.
to the taking of citizenship by immigrants is an issue here about which public opinion in Italy was wrongly informed, and this is without doubt that must be referred to the misunderstanding among the most celebrated Italian film actors has recently been the victim.
For those who have moved on this side of home, family and home, and here with work and with the source and the reason for most of his interests, taking American citizenship is both a necessity and a duty. This is not only aimed towards the host country, whose government, eager to hasten the process of Americanization foreign element, openly accusing the Italian of low digestibility, it is also a duty to their country 's origin, because they become citizens of this great Republic is to give the element Italian voice and influence policy through the vote, raise our masses migrated to civil dignity in a country where they would otherwise, and were until recently, either ignored or despised, and to gradually prepare the inclusion of these masses, and their descendants in the strain unit of the American nation. Without this, it's for the British, the Irish, for the Scots, the Germans, who have become Americans even one hundred percent, as they say here, the children of the children born and bred on this side of the Atlantic by hundred years, however, retain the very roots of their being, into the living substance of their thinking and feeling, the irrepressible consciousness and pride of country of origin.
(...)
Quest'orgoglio, this faith, this will of Italian in America are aware of Rudolph Valentino. He declares himself pleased that the announcement proclaimed first in Italy against his film has been removed. Nor is this reason for some interest, given that estimates of income in American film producers to calculate those in Europe 10 per cent of the total, and this figure is necessarily an Italian one small part. But the idea of \u200b\u200bbeing banished, and even if only in effigy, his homeland, he manages to Rudolph Valentino intolerable.
All of popularity, all the luck that this vast country to bestow liberally feels that it can not compensate for such a bitter and undeserved pain.
Giovanola Louis (a movie, September 5, 1926, Valentino, Fortuna and popularity of the Knight Apocalypse ) 
New York has the great virtue of not love too easily. The many chaotic events of the day slip away in the underground diamond button on its one million cars in the fever of work that consumes and recreates, in the delirium of his night studded with incandescent lights like a never-ending sky.
Yes it is true, as he told quell'inglese almost terrified to return to his island phlegmatic: the streets of New York are deadly, and not just because of the danger of being Arrotati by a car, but also for the revolver shots that do not rarely are sent from good cops chasing robbers and attackers daring enough to rob banks and stores and assaulting people even in broad daylight and in crowded places. But if you notice that? At most, someone who happened to be on the trajectory of the bullets vagabonds. Moreover, the shots do not feel at ten paces, and robbers and wounded and the dead body if they are immediately swept up and taken away by the relentless stream. If the deceased is state, we pass over race and you forget a little 'further.
All events, however serious they are, more or less suffer the same fate. You're in a hurry, you have rage, and those who stay at least in danger of being trampled by the onrushing new. Unless you stop at a cinema. The hell of New York street, cinemas are sort of magical oasis. The comparison could not be more appropriate, nor am I the first to use the expression of "densely populated desert" about this metropolis of anonymity, where the crowd that presses on all sides so it feels desperately alone. Desert, then, and oases. Already, the heat is tropical humid, oppressive, unbearable. In the streets, including the reflection of the concrete and tar in the heat of the sun, the atmosphere is hot. Do not breathe: you gasping. Dazed, his eyes off the clothes that you stick on you, you walk like robots towards a goal that perhaps we do not even remember anymore. Behold, and almost feel inclined to sit on one of those blocks of ice that companies providing leave on the threshold of a half-notch restaurants in the side streets.
Fortunately, there are cinemas. They open their doors welcoming fiery on the sidewalks of Broadway, promising, as well as the visions of the mobile screen, shade and coolness that you search in vain elsewhere. Artificial cool as the posters proclaim. "Twenty, thirty degrees (Fahrenheit) less than in the street '- they say letters ending in odd-shaped ice stalagmitizzati on a background of polar landscapes. "Constant temperature, never exceeding 70 degrees," (equivalent to 21 Celsius). Because each of the major cinemas of Broadway, unlike opera, where the hot season continues to couple the heat in the busy humanity, it is huge nowadays equipped with modern refrigeration systems, which spread to everywhere delicious breath of fresh air.
The Son of the Sheik at the Strand Theatre, New York 1926
Sensation of finding an oasis in these last few weeks was all the more legitimate the Strand Theatre, where he threw "The Son of the Sheik" (The Son of the Sheik), the last 'film' of Rudolph Valentino, with the background of the Desert (California ), clumps of palm trees, rich curtains in their shade propitious, and the ruins of Moorish architecture doubtful there in fake oasis to the great cinematic story unfolds. Woe to the Strand if there had been comforting the oil! Valentino would have been virtually manager who knows how many cases of suffocation, especially on Sunday's 'first', when it was present in person in the theater and the "flappers" of which he is the idol, they actually a fight to see it in the flesh and hear his voice, that privilege is usually denied, as is well understood, the admirers of the heroes of the scene changes. But at the Strand Valentino has taken on that occasion, even his good speech.
Luck, the immense popularity of this actor, very Italian in appearance, gestures, of passionate fervor, of expression, has something fantastic. New York, is not moved too easily, but her girls are always ready to stop traffic in Times Square, to see him pass in his Isotta-Fraschini, jump and take the restaurant for breakfast when it happens here. I would bet on that, where a fanciful hypothesis recourse were made to a 'referendum' among American women to resolve the vexed issue of debt in the name of Valentino would certainly voted overwhelmingly to debt cancellation Italian!
Valentino's popularity is such that the "slang" the U.S. should even be a neologism, has become widely used. After
that of the "Four Horsemen of the Apocalypse," he gained his greatest success in the 'Sheik', the new film is now trying to renovate and extend. The girls are all American, from the Atlantic to the Pacific in love with the young, bold and passionate sheikh, now all of a sudden, despite the exotic costumes and the Italian name of the protagonist, a kind of national hero. Since then the word 'Sheik' has entered the common language to show the love, man fatal, the looting of female hearts, the irresistible suitor. So we have had in The Sheik "fox-trot" and in song - I am the Sheik of Araby ... Your Love Belongs To Me , The Sheik, a novel, The Sheik perfume, soap ... The Sheik All of a fashion, in short, that life is what the fashions are wont to take, but which is still the word used not only by the newspapers, but even by writers who do not mind the sayings of the boldest and most picturesque spoken American.
We understand that men are a bit 'jealous of their good fortune. I mean how lucky Valentino has with the fair sex. The typical American, nice guy he, too, after all, as in turn is glorified on the screen for its physical qualities of courage, generosity of spirit, of fearlessness, a sportsman par excellence of that form all Anglo-Saxon love, the flirt, can not but feel a bit 'fell in front of this elegant and rakish Italian, Express yourself when you come to the passion of love, his romantic yearning, the vehemence of his impulses and the languor of her dreams. Which is basically the secret of luck in Italian, and generally in Latin, with the women of the Nordic peoples and seminordici.
Valentino has also recently suffered the bite of quest'invidia, which is partly the result of xenophobia in this undeniable restrinzionistiche emigration laws are an official event. A journalist from Chicago, in an anonymous editorial article, called it "pink powder puff" - literally down to powder - that is accusing him, in essence, effeminacy, and deploring the popularity of his films, because they exhibit a pattern of young men, so American sound, a kind of beauty and a way of interpretation of life which does not correspond to national ideals.
Valentino has now challenged the unknown journalist - since he was young and healthy - to a boxing match, since the duel is prohibited here, and in the meantime (well that his manager had to take advantage of a little 'case for the publicity) has had published all a series of photographs of their bare-chested, highlighting the muscles on the same paro effeminacy which Jack Dempsey has expressed some doubts.
Had this show, if only, the fact is that the columnist of the Chicago Tribune he believed should not go out of his comfortable anonymity and prudent, so that Rudy had the match won without even launch one of his formidable fists.
- sorry to God and to his enemies - I was out with a smile Valentino few days ago, since I went to visit him in the spacious apartment he occupies when the Ambassador Hotel in New York. And with the quote Dante was referring to the fact that while it is attached here as it is Italian and has remained essentially that of education, tastes, feelings, ideas, despite having taken American citizenship, has had to endure in Italy moorings, which were much more painful for him, just for taking U.S. citizenship.
to the taking of citizenship by immigrants is an issue here about which public opinion in Italy was wrongly informed, and this is without doubt that must be referred to the misunderstanding among the most celebrated Italian film actors has recently been the victim.
For those who have moved on this side of home, family and home, and here with work and with the source and the reason for most of his interests, taking American citizenship is both a necessity and a duty. This is not only aimed towards the host country, whose government, eager to hasten the process of Americanization foreign element, openly accusing the Italian of low digestibility, it is also a duty to their country 's origin, because they become citizens of this great Republic is to give the element Italian voice and influence policy through the vote, raise our masses migrated to civil dignity in a country where they would otherwise, and were until recently, either ignored or despised, and to gradually prepare the inclusion of these masses, and their descendants in the strain unit of the American nation. Without this, it's for the British, the Irish, for the Scots, the Germans, who have become Americans even one hundred percent, as they say here, the children of the children born and bred on this side of the Atlantic by hundred years, however, retain the very roots of their being, into the living substance of their thinking and feeling, the irrepressible consciousness and pride of country of origin.
(...)
Quest'orgoglio, this faith, this will of Italian in America are aware of Rudolph Valentino. He declares himself pleased that the announcement proclaimed first in Italy against his film has been removed. Nor is this reason for some interest, given that estimates of income in American film producers to calculate those in Europe 10 per cent of the total, and this figure is necessarily an Italian one small part. But the idea of \u200b\u200bbeing banished, and even if only in effigy, his homeland, he manages to Rudolph Valentino intolerable.
All of popularity, all the luck that this vast country to bestow liberally feels that it can not compensate for such a bitter and undeserved pain.
Giovanola Louis (a movie, September 5, 1926, Valentino, Fortuna and popularity of the Knight Apocalypse )
Tuesday, January 19, 2010
Will Milena Velba Hardcore
Boycott the Italian press to Rudolph Valentino Rudy and Natacha
The history of the boycott the films of Rudolph Valentino in Italy, after the request of American citizenship, is waiting to be reviewed because they are not only films, but the actor was Rudolph Valentino, which was boycotted.
A campaign that began in late 1925 and goes on for months, until the death of Valentino ... and further, because the claim of some print film is about him, after death, let him not only peace but the oblivion "...
The minutes of this "adventure" is very long. Reprint it here just the beginning and part of the campaign by the Film Courier, a weekly supplement of the most prestigious film magazine Turin: Life Film Festival.
Sections Filming News and the Courier Post, by an anonymous contributor who signed girondolino.
News December 12, 1925. Rudolph Valentino is tired of being Italian?!
This title published days ago, the Tiber, in Rome, a protest of some readers who wrote this letter.
"While even the most poor and miserable among our workers today to subtract 25 pounds bread for their children for support in the face of powerful American pride in being Italian, there is another Italian, rich and famous around the world who are ashamed of their own origin and sought American citizenship. If the U.S. naturalization
find some mitigating some of the poorest immigrants, who will be forced by the prospect of earning more easily what is required for the lives of their families, it can not have any excuse for a man who, as Rodolfo Valentino, now has to have won the millions to tens.
It would not hurt that the representatives of the house that presents the work of Valentino, gave light on what the Italian newspapers published in America. "
Here are some of these publications:
Rudolph Valentino, Italian actor who has gained much popularity in the silent American theater, he went the other day at the Federal Building and made the request of the first card of naturalization. (Corriere d'America)
Rudolph Valentino, the famous film artist, get the first card of citizenship yesterday. He said his name was and who was born Rodolfo Guglielmi in Castellaneta May 6, 1895, and exhibited the military leave by the Italian authorities to deny a rumor that he was a deserter during the war. (Bulletin Today)
We do not make comments saying only he who does not feel the pride of being Italian, it means that it is not worthy, and then we might as well give it to whoever wants it!
On February 15, 1926, Valentino sent a letter to the Corriere d'America, trying to calm the hostilities. The letter was picked up by the newspaper The Roman Empire, March 12, 1926, but the gesture is not taken into account minimum and the campaign goes on the same.
Let's see how things were, two months before the death of the August 23, 1926.
the Courier Post, June 26, 1926.
Claretta - Mantua. Rodolfo Valentino continues to work, but I can not tell you which film is now interpreted. In Italy, for the moment, difficult are projected work in which he participates: the reason you will not be known.
the Courier Post, July 10, 1926.
Myrta - Torino. Those of Valentino, over time will eventually be projected: the past, this moment of indignation, the public will forget and leave running the "vassal" on his part.
Girandolina - Genova. Rudolph Valentino, for the moment must be spoken: her film will go later, on our screens, not now. The reason you should know: all the press has talked a lot.
daughter Bella Alpe Trentino. The Valentino films are tolerated in small towns, big cities are still boycotted.
the Courier Post, July 17, 1926.
Mimi - Milan. The film of Valentino, in large cities are still opposed, but will not be long that they will return to appear on the screens. Beautiful things.
the Courier Post, July 24, 1926.
Irma Pittana - Padova. As for Rudolph Valentino, I will not go back on this topic. I think as to think of any good Italian and say he did very wrong to give up the citizenship of his country to take over the American. Being a man who has put aside a few Euro, things that I would rather return to Italy would have been eligible for his action if it had been of a poor man in need of work and earnings. But you not argue that women with the whim and certain things you can not get into his head: For you there is that sympathy, love ... and the world ends there. Is not it?
Zomba - S. Martino. You're right: Richard Cortez has a strange resemblance to Rudolph Valentino, but he is fitter and struts like a little woman.
the Courier Post, July 31, 1926.
Andalusian Small - Genoa. In French with Murray works Doll Rod La Roque, not Rudolph Valentino. I saw this film I did not like. I can not tell when you project the black eagle, with Rudolph Valentino. Between him and Cortez, I prefer ... either: there are two layers.
Friars Durvalle - Campo Bisenzio. Rudolph Valentino, for the moment let it sleep, you will see later whether his films will be projected on screens Italians.
the Courier Post, August 7, 1926.
Pepinella B. - Trent. If your letter's been received, you will receive a reply from Rudolph Valentino: he wants to please her admirers and not to forget, after the good impression he made and that alienated the sympathies of all Italians. You have quite a number of postcards and for the moment there are others around, maybe then it will be the new and then I could settle.
Evans - Genova. Are sorry to disagree with you in the evaluation of the artistic personality of Rudolph Valentino: He is, for me, "Look how beautiful!" nothing else. I do not deny that some films may have had some happy moments, but I am not enthusiastic about him as an artist, nor are many other mannequins that prance on the screen, under the illusion that it is enough to have the eye murderess and prowess that makes shot to be considered actors. The art is quite another thing and it requires, first of all, a modest field of study and sacrifice. But as I said before, the young and beautiful girls like when the face is looking, the rest does not matter. I'm not saying that all the people think so, and begin to make an exception for you, but the generality is not sophisticated and does not distinguish art from sympathy.
News, August 7, 1926. Sensational incidents in Catania for the screening of a film by Rudolph Valentino. Arena in Catania Italy, evenings ago, while projecting the film Perle Thief, which took part in the Rodolfo Valentino, a group of young people, in protest at the anti-patriotic act done by a few months ago 'actor, appeared in the room with the intention to suspend the show, without achieving the goal. So are the successes of the confusion, until I stepped in some official PS agents to bring back calm. It was launched a stone at the cinema, which caused the panic, because at first he doubted that it was a gunshot, so that the public at a time when the room emptied, were also made arrests, but were not maintained .
Since the Italian public does not know how to forgive Rudolph Valentino to have renounced our citizenship to take the American one, to avoid similar accidents disgusting, why do not withdraw from circulation a good time all the films in which the acts that actor? He expects that perhaps at one time or another most unfortunate events occur?
the Courier Post, August 14, 1926.
Peppinella B. - Trent. Pola Negri makes the criticism of our actresses? We should understand that she was good at something, and art could come close to our dive that if they eat a salad a thousand times. Already it is said that should marry ... Rodolfo Valentino beautiful, God makes them and then pairing them: they are two cocky and certainly will form a monument to arrogance.
Death of Rudolph Valentino, August 28, 1926.
From New York came the unexpected news of the death of the famous actor, which occurred after an operation undergone during the past days.
The adventurous life of this young man is known to all patrons of the cinema, because many times we have had occasion to speak him.
(...) Last year was a naturalized American, and this had attracted the general reprobation, so that his films could no longer be projected on our screens because they provoked the reaction and stirred unrest.
(...) The
death truncated this youth, and with it buried any discussion and any hard feelings.
We bow ourselves on the tomb which contains his mortal remains.
the Courier Post, August 28, 1926.
Brunette and blonde - Malta. Lido Manetti is in America and specifically in California, since last year. Nothing could be easier than he will as Rudolph Valentino there, who wants to stay, it must naturalized American, and as you go to raise money, you do not think more than that.
News, September 4, 1926.
The body of Rudolph Valentino, accompanied by his brother Alberto Guglielmi, arrived from Italy, and Pola Negri, was transported from New York to Hollywood (California) to be buried there: in the city of cinema that saw the first steps of 'actor, the lightning his fortune and worldwide fame.
Thus, this chapter of this drama is over, and the tomb of Valentino will come peace and oblivion.
In Cinema in Turin, September 4, 1926 . At
Ghersi there is a revival of Blood and Arena With Rudolph Valentino, Lila Lee and Nita Naldi, drama well known to the public because it accepted a few years ago, with unanimous consent. The recent death of Valentino has heightened public curiosity and interest in him disappeared, so that the aristocratic salon has hosted and continues to host a crowd of spectators.
The Courier Mail, September 4, 1926.
Gem of Ionian. As you will see elsewhere in the newspaper, Rudolph Valentino died in New York, specifically for a complication of appendicitis sopravvenutagli after the operation. So, the past remains buried with the actor and should no longer disturb his eternal rest.
Charlot - Torino. I do not know the address in-law of Rudolph Valentino, who, to avoid trouble and who knows how many interviews will take place hidden well.
... and after three or four responses, the same page and in the same tone, here is a belated mea-blame:
Gilpy - Rome. For the death of Rudolph Valentino we have tried all regret, but certainly not the pain that struck us when he is dead Amleto Novelli.
From now on, things become increasingly difficult for our "girondolino" that fails to stop for the smash ... transcribe only part of the answers because the stakes are pretty dedicated to Valentino: The
Courier Mail, September 11, 1926.
The Philosopher - Isola d'Istria. Contrary to what you say, the Courier gave the first news of the death of Rudolph Valentino, who wanted words to mean any regret for his unexpected death. Now that his tomb is closed, do not you think you have to leave him alone?
... and postcards of Rudolph Valentino, who only a few weeks before we came promptly denied, ensuring that they were not available, they reappear as if by magic, and also articles on everything else: business is business ...
Riderella - Trieste. I have postcards of Rudolph Valentino: I send you six or seven different and cost pennies eighty each (including postage) you can even send in stamps. In the next issue of Life Film Festival there will be a big cliché of Valentino and an article each issue costs five pounds, sixty pounds annual subscription. I do not know an actor who calls himself the blond Valentino.
Poor "girondolino ... La Posta del Corriere receive more letters with Rudolph Valentino topic in the coming years, what a colleague called "valentinitis" did not start that, other than oblivion.
But a mystery remains. Beyond shameful of "reasons" for personal (at least I see it), cleverly hidden under a veil of patriotism, why a publication that "lives" of advertising by advertisers can afford such a smear campaign?
Images: over the top, Rudolph Valentino in London, 23 November 1925 (presentation of the film L'Aquila), and below it the news of Valentino's death published in the third page of the Corriere del Cinema August 28, 1926. 
A campaign that began in late 1925 and goes on for months, until the death of Valentino ... and further, because the claim of some print film is about him, after death, let him not only peace but the oblivion "...
The minutes of this "adventure" is very long. Reprint it here just the beginning and part of the campaign by the Film Courier, a weekly supplement of the most prestigious film magazine Turin: Life Film Festival.
Sections Filming News and the Courier Post, by an anonymous contributor who signed girondolino.
News December 12, 1925. Rudolph Valentino is tired of being Italian?!
This title published days ago, the Tiber, in Rome, a protest of some readers who wrote this letter.
"While even the most poor and miserable among our workers today to subtract 25 pounds bread for their children for support in the face of powerful American pride in being Italian, there is another Italian, rich and famous around the world who are ashamed of their own origin and sought American citizenship. If the U.S. naturalization
find some mitigating some of the poorest immigrants, who will be forced by the prospect of earning more easily what is required for the lives of their families, it can not have any excuse for a man who, as Rodolfo Valentino, now has to have won the millions to tens.
It would not hurt that the representatives of the house that presents the work of Valentino, gave light on what the Italian newspapers published in America. "
Here are some of these publications:
Rudolph Valentino, Italian actor who has gained much popularity in the silent American theater, he went the other day at the Federal Building and made the request of the first card of naturalization. (Corriere d'America)
Rudolph Valentino, the famous film artist, get the first card of citizenship yesterday. He said his name was and who was born Rodolfo Guglielmi in Castellaneta May 6, 1895, and exhibited the military leave by the Italian authorities to deny a rumor that he was a deserter during the war. (Bulletin Today)
We do not make comments saying only he who does not feel the pride of being Italian, it means that it is not worthy, and then we might as well give it to whoever wants it!
On February 15, 1926, Valentino sent a letter to the Corriere d'America, trying to calm the hostilities. The letter was picked up by the newspaper The Roman Empire, March 12, 1926, but the gesture is not taken into account minimum and the campaign goes on the same.
Let's see how things were, two months before the death of the August 23, 1926.
the Courier Post, June 26, 1926.
Claretta - Mantua. Rodolfo Valentino continues to work, but I can not tell you which film is now interpreted. In Italy, for the moment, difficult are projected work in which he participates: the reason you will not be known.
the Courier Post, July 10, 1926.
Myrta - Torino. Those of Valentino, over time will eventually be projected: the past, this moment of indignation, the public will forget and leave running the "vassal" on his part.
Girandolina - Genova. Rudolph Valentino, for the moment must be spoken: her film will go later, on our screens, not now. The reason you should know: all the press has talked a lot.
daughter Bella Alpe Trentino. The Valentino films are tolerated in small towns, big cities are still boycotted.
the Courier Post, July 17, 1926.
Mimi - Milan. The film of Valentino, in large cities are still opposed, but will not be long that they will return to appear on the screens. Beautiful things.
the Courier Post, July 24, 1926.
Irma Pittana - Padova. As for Rudolph Valentino, I will not go back on this topic. I think as to think of any good Italian and say he did very wrong to give up the citizenship of his country to take over the American. Being a man who has put aside a few Euro, things that I would rather return to Italy would have been eligible for his action if it had been of a poor man in need of work and earnings. But you not argue that women with the whim and certain things you can not get into his head: For you there is that sympathy, love ... and the world ends there. Is not it?
Zomba - S. Martino. You're right: Richard Cortez has a strange resemblance to Rudolph Valentino, but he is fitter and struts like a little woman.
the Courier Post, July 31, 1926.
Andalusian Small - Genoa. In French with Murray works Doll Rod La Roque, not Rudolph Valentino. I saw this film I did not like. I can not tell when you project the black eagle, with Rudolph Valentino. Between him and Cortez, I prefer ... either: there are two layers.
Friars Durvalle - Campo Bisenzio. Rudolph Valentino, for the moment let it sleep, you will see later whether his films will be projected on screens Italians.
the Courier Post, August 7, 1926.
Pepinella B. - Trent. If your letter's been received, you will receive a reply from Rudolph Valentino: he wants to please her admirers and not to forget, after the good impression he made and that alienated the sympathies of all Italians. You have quite a number of postcards and for the moment there are others around, maybe then it will be the new and then I could settle.
Evans - Genova. Are sorry to disagree with you in the evaluation of the artistic personality of Rudolph Valentino: He is, for me, "Look how beautiful!" nothing else. I do not deny that some films may have had some happy moments, but I am not enthusiastic about him as an artist, nor are many other mannequins that prance on the screen, under the illusion that it is enough to have the eye murderess and prowess that makes shot to be considered actors. The art is quite another thing and it requires, first of all, a modest field of study and sacrifice. But as I said before, the young and beautiful girls like when the face is looking, the rest does not matter. I'm not saying that all the people think so, and begin to make an exception for you, but the generality is not sophisticated and does not distinguish art from sympathy.
News, August 7, 1926. Sensational incidents in Catania for the screening of a film by Rudolph Valentino. Arena in Catania Italy, evenings ago, while projecting the film Perle Thief, which took part in the Rodolfo Valentino, a group of young people, in protest at the anti-patriotic act done by a few months ago 'actor, appeared in the room with the intention to suspend the show, without achieving the goal. So are the successes of the confusion, until I stepped in some official PS agents to bring back calm. It was launched a stone at the cinema, which caused the panic, because at first he doubted that it was a gunshot, so that the public at a time when the room emptied, were also made arrests, but were not maintained .
Since the Italian public does not know how to forgive Rudolph Valentino to have renounced our citizenship to take the American one, to avoid similar accidents disgusting, why do not withdraw from circulation a good time all the films in which the acts that actor? He expects that perhaps at one time or another most unfortunate events occur?
the Courier Post, August 14, 1926.
Peppinella B. - Trent. Pola Negri makes the criticism of our actresses? We should understand that she was good at something, and art could come close to our dive that if they eat a salad a thousand times. Already it is said that should marry ... Rodolfo Valentino beautiful, God makes them and then pairing them: they are two cocky and certainly will form a monument to arrogance.
From New York came the unexpected news of the death of the famous actor, which occurred after an operation undergone during the past days.
The adventurous life of this young man is known to all patrons of the cinema, because many times we have had occasion to speak him.
(...) Last year was a naturalized American, and this had attracted the general reprobation, so that his films could no longer be projected on our screens because they provoked the reaction and stirred unrest.
(...) The
death truncated this youth, and with it buried any discussion and any hard feelings.
We bow ourselves on the tomb which contains his mortal remains.
the Courier Post, August 28, 1926.
Brunette and blonde - Malta. Lido Manetti is in America and specifically in California, since last year. Nothing could be easier than he will as Rudolph Valentino there, who wants to stay, it must naturalized American, and as you go to raise money, you do not think more than that.
News, September 4, 1926.
The body of Rudolph Valentino, accompanied by his brother Alberto Guglielmi, arrived from Italy, and Pola Negri, was transported from New York to Hollywood (California) to be buried there: in the city of cinema that saw the first steps of 'actor, the lightning his fortune and worldwide fame.
Thus, this chapter of this drama is over, and the tomb of Valentino will come peace and oblivion.
In Cinema in Turin, September 4, 1926 . At
Ghersi there is a revival of Blood and Arena With Rudolph Valentino, Lila Lee and Nita Naldi, drama well known to the public because it accepted a few years ago, with unanimous consent. The recent death of Valentino has heightened public curiosity and interest in him disappeared, so that the aristocratic salon has hosted and continues to host a crowd of spectators.
The Courier Mail, September 4, 1926.
Gem of Ionian. As you will see elsewhere in the newspaper, Rudolph Valentino died in New York, specifically for a complication of appendicitis sopravvenutagli after the operation. So, the past remains buried with the actor and should no longer disturb his eternal rest.
Charlot - Torino. I do not know the address in-law of Rudolph Valentino, who, to avoid trouble and who knows how many interviews will take place hidden well.
... and after three or four responses, the same page and in the same tone, here is a belated mea-blame:
Gilpy - Rome. For the death of Rudolph Valentino we have tried all regret, but certainly not the pain that struck us when he is dead Amleto Novelli.
From now on, things become increasingly difficult for our "girondolino" that fails to stop for the smash ... transcribe only part of the answers because the stakes are pretty dedicated to Valentino: The
Courier Mail, September 11, 1926.
The Philosopher - Isola d'Istria. Contrary to what you say, the Courier gave the first news of the death of Rudolph Valentino, who wanted words to mean any regret for his unexpected death. Now that his tomb is closed, do not you think you have to leave him alone?
... and postcards of Rudolph Valentino, who only a few weeks before we came promptly denied, ensuring that they were not available, they reappear as if by magic, and also articles on everything else: business is business ...
Riderella - Trieste. I have postcards of Rudolph Valentino: I send you six or seven different and cost pennies eighty each (including postage) you can even send in stamps. In the next issue of Life Film Festival there will be a big cliché of Valentino and an article each issue costs five pounds, sixty pounds annual subscription. I do not know an actor who calls himself the blond Valentino.
Poor "girondolino ... La Posta del Corriere receive more letters with Rudolph Valentino topic in the coming years, what a colleague called "valentinitis" did not start that, other than oblivion.
But a mystery remains. Beyond shameful of "reasons" for personal (at least I see it), cleverly hidden under a veil of patriotism, why a publication that "lives" of advertising by advertisers can afford such a smear campaign?
Images: over the top, Rudolph Valentino in London, 23 November 1925 (presentation of the film L'Aquila), and below it the news of Valentino's death published in the third page of the Corriere del Cinema August 28, 1926.
Saturday, January 16, 2010
Can I Use Formica Inshower
Rudolph Valentino and Natacha Rambova work. The first major film for United Artists Co. Rudy will be a major production titled, The insoumis novel by Puskin.L 'action takes place during the reign of Czar Nicholas II. Valentino I then played several characters, is the brilliant officer of the White Guard, the dangerous bandit tartar, tender and passionate French tutor. He comes naturally to emphasize on the brilliant and diverse qualities, appearing gradually in the most friendly and diverse aspects.
The newspapers are already talking a lot about this film saying that Rudolph Valentino surpass himself in the same time achieving the greatest fame. Natacha
Rambova was known before her marriage to Rudy, one of the most skilled designer of costumes and one of the best scenery of the film world. After having cooperated in the production of several films by Alla Nazimova, which Camille and Salome, after helping with his artistic genius and a truly delicious taste, Monsieur Barbier in Paris, and designing the costumes for Monsieur Beaucaire wonderful, that's a really great courage for a woman, even if equipped by real talent like you here so that it undertakes alone the daunting task of running a film that s'intitolerà What Price Beauty?
One of the things that has most affected in America is that in this film, the distribution of shares, with the exception of Nita Naldi, does not include any big name stars: besides the leading role will not be entrusted with Valentino, we believe but to a unknown actor, a certain Pierre Gendron, even metteur-en-scene is unknown, he is Thomas Buckingham. As can be seen Natacha
Valentino initiative does not rest on the laurels of Rudy, but yearns for his name, is equally appreciated by Natacha Rambova than that of her husband. Moreover
she says it quite clearly.
"Those critics who accuse me to meddle in the affairs of Rodolfo, they must have forgotten that before becoming Mrs. Valentino was known as Natacha Rambova is why I want with my film to show everybody that they are wrong, that too 'I have a career ready, that I am a bit' artist, that I finally am able to do something good, original e. .. with little expense, this is the thing that surprised most of my critics who believe that making a film of a certain level, you must have filled the pockets of dollars. "Monna Vanna
(The echo of Cinema, July-August 1925 )
Mail correspondents . From Veronin Lia - Genoa - Are you curious to learn something about the wife of Rudolph Valentino? You can live with, and quite widely: Natacha
Miss Hudnut, daughter of famed industrial and multi-millionaire, Mr. Richard Hudnut, New York, was born in America, but education has typically Parisian, having lived almost always in the Gallic city. She married in Los Angeles in March 1922, with Rodolfo Guglielmi - Better known under the name of Rudolph Valentino - after a few months of engagement. You know how she met the famous actor? Attending the Russian actress Alla Nazimova study, which she had entrusted the artistic direction of its productions. There he met his Rudy, and he fell in love, maybe even paid to seeing with enough intensity. It is an artist, but does not work on screen creates with his powerful and original Slavic environments, the decorations, the atmosphere, so to speak, on stage, where her husband also plays the title role, which is almost always that of the fabulous 'Prince Charming', in whose arms end up dropping a languid golden-haired princess. Natacha
Hudnut (in art, Natacha Rambow) is a beautiful woman, intelligent, charming, exquisite and elegant painter tract, and soul artist (as he wrote her a few months ago, a magazine of which I can not remember the title ) "rather than indirect light shine, next to Rudolph Valentino, can rightly be said that she shares with him the honors of recognition, almost epresentation Ninfa Egeria."
Are you satisfied now, dear unknown? (Il Corriere Film, September 19, 1925)
Thursday, January 14, 2010
Medical Malpractice Civil Complaint Sample
1925 Rudolph Valentino and the critics in January 1925
Trieste. Eugenia Grandet (The Conquering Power) A film that satisfied the public demanding more intelligent and aristocratic National Theatre is magnificent drama inspired by the vivid imagination of Honore Balzac: Human Comedy. The plot of this work is full of episodes at times impressive and takes place in an atmosphere saturated with hatred and greed, which weaves a sentimental idyll of love. The main character is Alice Terry, who was immediately set for public admiration for his creation of human E. Grandet. The interpretation of Rudolph Valentino did not seem too good, actually is expecting something more. Lewis Stone is excellent in the difficult creation of failure Grandet. The staging, accurate, and Rex Ingram. Photography and technology are unmatched. The "sold out" for this cinematic jewel, one after another, and we hope that we will see the Lions Film still of these magnificent films.
Livorno. Modern Theatre. An indescribable crowd contends the scraps of space to watch the film of Arena and Blood (Blood and Sand, Blood and Sand) . The humble drafter of these chronicles that went into the projection room to review the film, found himself in the top of the stairs without having contacted the stairs ...
Turin. The first Cinema of Italy. Blood and Arena - film in five parts, from the famous novel by Blasco Ibanez. Here, the criticism has nothing to do. It seems evident that the sovereign mind of Blasco Ibanez, has resulted in a work that has no weaknesses.
The film is correct, interesting in every episode. And not only because it shows us something so important for our general culture, which is Spain with its bullfights and bullfighters in his world, very similar to that of our content, but for all that has passion for this wonderful drama .
The same thesis is passionate. See:
Gallardo, triumphs. Rooms from nothing by the darkness, the glory, by virtue of that sacred fire, which brought with it from the very first instincts under the unyielding passion, dominant, for the glory of the bullfighter. And wins, always triumphs over all. It was surrounded by this twisted halo of his own, and makes the banner of his own happiness.
But what should not, soon became aware that a man reached the glory more beautiful, at the cost of everything, feels the need to throw it at the foot of a woman. From that day on he became convinced that whatever we do, we make it to the "woman". And before he wishes, can lose or increase a man. He even Napoleon.
Only - and this, for what, the novel, we have known through the film - us it seems that love is not guilty was to be presented as a blaze that quickly dies out. But as an emotional need for the psychology of the artist, which is almost identical with that of the bullfighter.
is true that we must take into account the tares of all descriptions ... But we understand his reluctance to throw themselves in the adventure of the bullfighter, who was to speak powerfully to his imagination instead of elected by the new glory.
What about enforcement?
is easy to imagine how, under the direction of Fred Niblo, everything went beautifully. Even Rudolph Valentino
we liked more than in many absurdities, not least of which the captain the Albatros (The Hub the Albatros, Moran of the Lady Letty) , where we see a boxing tournament that takes place on the rigging of a ship ...
Best, in his short piece, Carmen. It is particularly effective
the witch of beauty, which we do not know the name, who played the femme fatale: Sol, who, if he wanted to throw a ring ... can be sure that we collect, without scruple, Egypt evil eye .
Rudolph Valentino, Nita Naldi, Walter Long, in a scene from Blood and Arena
Florence. Cinema Gambrinus. Rudolph Valentino, he knows more and more captivate the sympathy of all the public once again showed us that the huge mass of audience (the most chic of the Florentine aristocracy) who literally packed the hall of our beautiful Gambrinus, for many, many consecutive evenings. The story of love, passion and death of the bullfighter, is embodied by Rudolph Valentino, in a commendable way. If Blood and Arena met such great favor with the public in Florence, it is due almost exclusively to Rudolph Valentino, who was able to really carve in every detail, the turbulent life of the bullfighter Gallardo.
Venice. Teatro Rossini. The Lady of the Camellias (Camille) of Loew-Metro, despite the magnificence of the staging and interpretation Rudolph Valentino and Alla Nazimova appeared in a film of cold and deficient emotional drama.
Rome. Cinema Capranica. The age of love (Beyond the Rocks) . It 's a film of great humanity and lively, varied in the course of the action scenes, and landscapes chosen with great taste.
(...) The interpretation of Valentine's Day is great as well as that of other actors. Beautiful photography, especially in the African scene. 
Livorno. Modern Theatre. An indescribable crowd contends the scraps of space to watch the film of Arena and Blood (Blood and Sand, Blood and Sand) . The humble drafter of these chronicles that went into the projection room to review the film, found himself in the top of the stairs without having contacted the stairs ...
Turin. The first Cinema of Italy. Blood and Arena - film in five parts, from the famous novel by Blasco Ibanez. Here, the criticism has nothing to do. It seems evident that the sovereign mind of Blasco Ibanez, has resulted in a work that has no weaknesses.
The film is correct, interesting in every episode. And not only because it shows us something so important for our general culture, which is Spain with its bullfights and bullfighters in his world, very similar to that of our content, but for all that has passion for this wonderful drama .
The same thesis is passionate. See:
Gallardo, triumphs. Rooms from nothing by the darkness, the glory, by virtue of that sacred fire, which brought with it from the very first instincts under the unyielding passion, dominant, for the glory of the bullfighter. And wins, always triumphs over all. It was surrounded by this twisted halo of his own, and makes the banner of his own happiness.
But what should not, soon became aware that a man reached the glory more beautiful, at the cost of everything, feels the need to throw it at the foot of a woman. From that day on he became convinced that whatever we do, we make it to the "woman". And before he wishes, can lose or increase a man. He even Napoleon.
Only - and this, for what, the novel, we have known through the film - us it seems that love is not guilty was to be presented as a blaze that quickly dies out. But as an emotional need for the psychology of the artist, which is almost identical with that of the bullfighter.
is true that we must take into account the tares of all descriptions ... But we understand his reluctance to throw themselves in the adventure of the bullfighter, who was to speak powerfully to his imagination instead of elected by the new glory.
What about enforcement?
is easy to imagine how, under the direction of Fred Niblo, everything went beautifully. Even Rudolph Valentino
we liked more than in many absurdities, not least of which the captain the Albatros (The Hub the Albatros, Moran of the Lady Letty) , where we see a boxing tournament that takes place on the rigging of a ship ...
Best, in his short piece, Carmen. It is particularly effective
the witch of beauty, which we do not know the name, who played the femme fatale: Sol, who, if he wanted to throw a ring ... can be sure that we collect, without scruple, Egypt evil eye .
Florence. Cinema Gambrinus. Rudolph Valentino, he knows more and more captivate the sympathy of all the public once again showed us that the huge mass of audience (the most chic of the Florentine aristocracy) who literally packed the hall of our beautiful Gambrinus, for many, many consecutive evenings. The story of love, passion and death of the bullfighter, is embodied by Rudolph Valentino, in a commendable way. If Blood and Arena met such great favor with the public in Florence, it is due almost exclusively to Rudolph Valentino, who was able to really carve in every detail, the turbulent life of the bullfighter Gallardo.
Venice. Teatro Rossini. The Lady of the Camellias (Camille) of Loew-Metro, despite the magnificence of the staging and interpretation Rudolph Valentino and Alla Nazimova appeared in a film of cold and deficient emotional drama.
Rome. Cinema Capranica. The age of love (Beyond the Rocks) . It 's a film of great humanity and lively, varied in the course of the action scenes, and landscapes chosen with great taste.
(...) The interpretation of Valentine's Day is great as well as that of other actors. Beautiful photography, especially in the African scene.
Monday, January 11, 2010
How To Lose It Without Pain
photos dedicated to 35 cents
The French press, as I reported in the previous post back if dimostrò molto accogliente e Rodolfo Valentino Natasha Rambova. Ma nemmeno loro risparmiavano, ogni tanto, qualche critica:
"Let us be practical!: Rudolph Valentino is a practical man, nobody ever doubted, seeing with what consummate art he organizes his advertising. One of our readers who wrote to him to get a photograph, was printed the following circular:
"My dear friend, your letter reached me, it makes me very happy because of the strong and loyal support of my friends give me the screen. I'm glad you understand and appreciate the principles on whose behalf I fight, because fighting for better movies is not a profit for myself, but I give the opportunity to prove to the American public my gratitude for giving me dedicated star. Since I broke up my relationship with the Famous Players Lasky, I have not received any wages and I do not expect any, as long as this dispute and it will last until I win, because I fight for Law and Law of Force trionphe always, sooner or later. I am currently subject to the injunction of the Supreme Court of New York injunction that prevents me although I am not, as happened during the past eight months, to earn money in any branch whatever, still prevent any turn film or appearing on a stage where we talk. Therefore, if you want to have me a large photograph autographed 8 x 7, I am forced more than ever, to apply the 35 cents (about five francs at the exchange) that barely cover the cost of the photo, the shipping, etc..
Hoping that I can always count you among my dear and loyal friends and thank you for your moral support, I remain very cordially. Rudolph Valentino
Do not talk about style, very excusable, which is written in this circular; surprised us only after having bought two or three cars in Paris, Valentino is réduit à tarif spécial pou établi a dédicacées photos ... "
(mon-ciné, January 1924) 
Rudolph Valentino and Natacha Rambova in Deauville, 1923
The French press, as I reported in the previous post back if dimostrò molto accogliente e Rodolfo Valentino Natasha Rambova. Ma nemmeno loro risparmiavano, ogni tanto, qualche critica:
"Let us be practical!: Rudolph Valentino is a practical man, nobody ever doubted, seeing with what consummate art he organizes his advertising. One of our readers who wrote to him to get a photograph, was printed the following circular:
"My dear friend, your letter reached me, it makes me very happy because of the strong and loyal support of my friends give me the screen. I'm glad you understand and appreciate the principles on whose behalf I fight, because fighting for better movies is not a profit for myself, but I give the opportunity to prove to the American public my gratitude for giving me dedicated star. Since I broke up my relationship with the Famous Players Lasky, I have not received any wages and I do not expect any, as long as this dispute and it will last until I win, because I fight for Law and Law of Force trionphe always, sooner or later. I am currently subject to the injunction of the Supreme Court of New York injunction that prevents me although I am not, as happened during the past eight months, to earn money in any branch whatever, still prevent any turn film or appearing on a stage where we talk. Therefore, if you want to have me a large photograph autographed 8 x 7, I am forced more than ever, to apply the 35 cents (about five francs at the exchange) that barely cover the cost of the photo, the shipping, etc..
Hoping that I can always count you among my dear and loyal friends and thank you for your moral support, I remain very cordially. Rudolph Valentino
Do not talk about style, very excusable, which is written in this circular; surprised us only after having bought two or three cars in Paris, Valentino is réduit à tarif spécial pou établi a dédicacées photos ... "
(mon-ciné, January 1924)
Sunday, January 3, 2010
Try On Virtual Bride Dress
Valentino Rudolph Valentino and Natacha Rambova accepted in France
Taking Rudolph Valentino's speech seen by the French, here is the cover of a French newspaper that says - at first page - the arrival in Paris of the "Prince and Princess of the screen:
PRINCE ET PRINCESSE DEl'ECRAN
The fine plus homme du monde est à Paris
The s 'agit de l'artiste Rudolph Valentino here vient "tourner" accompanies de sa femme en France, Etoile Natacha Rambova
"was announced yesterday, Rudolph Valentino," as "film, one which the Americans call the most beautiful man in the world, and his wife Natasha Rambova, dancer and painter already famous, are our guests .
Rudolph Valentino, is the perfect type of these "young firsts" that dreams are so many young girls.
He was twenty-seven years. Coming from a small Italian village - Castellaneta (Taranto province) and son of humble parents, he emigrated to America early, where he was long without a penny.
The way he speaks French shows a man familiar with our language and mind, his mother, indeed, was French.
intelligence shines in her eyes and painted her face with regular features.
Rudolph Valentino, as films such as The Four Horsemen of the Apocalypse, Blood and Sand, La Dame aux Camelias, have informed the public of both worlds, earns $ 125,000 per scenario in America. He receives 2,000 letters a day, and two secretaries are used to strip this correspondence. Such is the glory ... film. "
(Da The Daily," created by more than 25,000 French men and women to defend and perfect republican institutions, " Friday August 17, 1923) 
Taking Rudolph Valentino's speech seen by the French, here is the cover of a French newspaper that says - at first page - the arrival in Paris of the "Prince and Princess of the screen:
PRINCE ET PRINCESSE DEl'ECRAN
The fine plus homme du monde est à Paris
The s 'agit de l'artiste Rudolph Valentino here vient "tourner" accompanies de sa femme en France, Etoile Natacha Rambova
"was announced yesterday, Rudolph Valentino," as "film, one which the Americans call the most beautiful man in the world, and his wife Natasha Rambova, dancer and painter already famous, are our guests .
Rudolph Valentino, is the perfect type of these "young firsts" that dreams are so many young girls.
He was twenty-seven years. Coming from a small Italian village - Castellaneta (Taranto province) and son of humble parents, he emigrated to America early, where he was long without a penny.
The way he speaks French shows a man familiar with our language and mind, his mother, indeed, was French.
intelligence shines in her eyes and painted her face with regular features.
Rudolph Valentino, as films such as The Four Horsemen of the Apocalypse, Blood and Sand, La Dame aux Camelias, have informed the public of both worlds, earns $ 125,000 per scenario in America. He receives 2,000 letters a day, and two secretaries are used to strip this correspondence. Such is the glory ... film. "
(Da The Daily," created by more than 25,000 French men and women to defend and perfect republican institutions, " Friday August 17, 1923)
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